Maya Bankovic, csc is an award-winning Director of Photography working in narrative fiction and commercial cinematography. A versatile cinematographer, Maya's emphasis on capturing grounded, emotional performances has led her career, while her embracing of new techniques and storytelling languages has expanded her palette since her experimental beginnings.
Maya’s recent feature, Sophy Romvari’s critically acclaimed debut BLUE HERON, won Best Feature Film awards at Locarno, TIFF and multiple festivals across Europe and will be released by Janus Films in Spring 2026.
Other notable feature film credits include ORDINARY ANGELS (director Jon Gunn, starring Hilary Swank and Alan Ritchson), AKILLA’S ESCAPE (from the late visionary filmmaker Charles Officer, starring Saul Williams, 2021 Canadian Screen Award Winner for Achievement in Cinematography), and THE INVISIBLES (director Andrew Currie, starring Tim Blake Nelson, CSA Achievement in Cinematography Award nomination, 2025).
In television, Maya served as DP in the STAR TREK universe on three different series where she became known for her expertise and finesse with LED volume stages. She also shot seasons for Taylor Sheridan’s MAYOR OF KINGSTOWN and Ben Watkins’ CROSS. She was the pilot and sole DP on the first three seasons of Catherine Reitman's WORKIN' MOMS.
Maya's images have been screened at hundreds of festivals globally, including Sundance, BFI, and New Directors/New Films, and have been described by Variety as “carefully composed and often dreamily stylized.” It is within this intersection of the technical and the impressionistic that her photographic voice has found its place.
Maya is a Director of Photography with the International Cinematographers Guild IATSE Local 667 and became a full member of the Canadian Society of Cinematographers in 2018.
She lives in Toronto, Canada with her partner and two kids, and holds an O1 work permit for the United States. Whenever possible she teaches workshops and does artist talks with emerging filmmakers and film schools.
Read additional bio on mantlreps.tv
See IMDB
CV available here
PRESS
"Romvari proves herself a striking visual artist, working with the spectacular cinematographer Maya Bankovic to film scenes of troubled domesticity from the distance of a child or even an observer outside the family. "
- Brian Tallerico reviews BLUE HERON, RogerEbert.com
"From editor Parker Adams’ lively, propulsive montages to cinematographer Maya Bankovic’s diffused lighting inside the Schmitts’ cozy house, the grounded aesthetics are absorbing and, at times, sobering."
- Courtney Howard reviews ORDINARY ANGELS, VARIETY
"The film boasts a unifying visual schematic captured by Maya Bankovic’s poetic cinematography."
- Michael Rechtshaffen reviews AKILLA'S ESCAPE, LOS ANGELES TIMES
"Maya Bankovic’s sharply stylized cinematography is a consistent asset, painting in reds across the spectrum from neon to dried blood, and often confining characters in tight cells of shadow."
- Guy Lodge reviews AKILLA'S ESCAPE, VARIETY
"The genre film also boasts Officer’s magic realist touches, hypnotic cinematography from Maya Bankovic and supporting performances from rapper Vic Mensa and Bob Marley’s granddaughter Donisha Rita Claire Prendergast.
- Radheyan Simonpillai reviews AKILLA'S ESCAPE, NOW MAGAZINE
"Maya Bankovic csc on AKILLA'S ESCAPE"
- cover story by Fanen Chiahamen, December 2020, CANADIAN CINEMATOGRAPHER MAGAZINE, Interview
"A slick and mesmerizing tale of crime, responsibility and what happens when the sins of one generation get passed down to another, director Charles Officer’s new thriller is an outstanding work...told from an unfamiliar perspective, and with intense beauty."
- Barry Hertz reviews AKILLA'S ESCAPE , THE GLOBE & MAIL
"A moody nighttime aesthetic by cinematographer Maya Bankovic offers the backdrop for these yearning, emotionally naked performances in a tale that grows more melancholy by the minute."
- Katie Walsh reviews WEXFORD PLAZA, LOS ANGELES TIMES
"Neither lecture nor argument, 'Prison', artfully photographed by Maya Bankovic, attempts to make the invisible visible."
- Jeannette Catsoulis reviews THE PRISON IN TWELVE LANDSCAPES, NEW YORK TIMES
"THE PRISON IN TWELVE LANDSCAPES has a consistent formal beauty that sets it apart… Story and her d.p., Maya Bankovic, make concise statements through carefully composed and often dreamily stylized images."
- Scott Tobias, VARIETY
"…it’s an artfully made work, lyrically filmed by Maya Bankovic and scored (Olivier Alary), with Simon Gervais’ ambient sound design as crucial an element as Avril Jacobson’s elegant editing."
- Sheri Linden, THE HOLLYWOOD REPORTER
"In patient, observant vignettes, the scenes serene in their composition and stately in their pacing, director Brett Story and cinematographer Maya Bankovic glance against the edges of one of America's great shames: mass incarceration."
- Alan Scherstuhl, THE VILLAGE VOICE
"In her documentary, [Story] and director of photography Maya Bankovic fuse lush, lyrical imagery and a meditative pace to create a haunting examination of the prison system’s imprint on free society that is slow-moving but never idle."
- Lydia Ogwang, CLÉO JOURNAL
"There’s a cumulative power, a headlong rush, in watching one vignette segue into another..."
- Tim Grierson, The 30 Best Documentaries of the 2010s, PASTE MAGAZINE
"The Next Generation of Canadian Cinematographers"
- Chandler Levack, TIFF
"‘12 Essential Women Cinematographers’ Gathers Some of Film’s Most Brilliant Minds "
- Kate Erbland, INDIEWIRE
"The Cinematography of BELOW HER MOUTH"
- Interview by Kirill Grouchnikov, PUSHING PIXELS
"How the Women Behind BELOW HER MOUTH Made Intimacy Tangible"
- April Mullen, MOVIEMAKER
"Maya Bankovic chases gold in THE RAINBOW KID"
- featured interview by Fanen Chiahemen, February 2016 CANADIAN CINEMATOGRAPHER MAGAZINE, Interview
"Maya Bankovic revisits MY PRAIRIE HOME"
- featured interview by Fanen Chiahemen, April 2014 CANADIAN CINEMATOGRAPHER MAGAZINE, Interview
"Beautifully shot, this documentary-meets-musical-meets-road-movie is a sad, hopeful, gorgeous work of poetry"
- Marsha Lederman reviews MY PRAIRIE HOME, THE GLOBE & MAIL
"... A perfect visual counterpart to Spoon's music - filled with placid, contemplative stretches interrupted by sudden, striking explosions of color and drama"
- Andrew Barker, VARIETY
"Like its subject matter, Sundance Film Festival favorite MY PRAIRIE HOME defies lables.
It is beautiful and deeply personal cinematic poetry."
- Charles Purdy, LOS ANGELES TIMES
"...a fantastically original blend of musical sequences, on-the-road footage, first-person interview and stunning cinematography"
- Carla Gillis, NOW MAGAZINE cover story September 2013
INTERVIEWS & TALKS
"How I Shot That: Indiewire's Camera Survey of the Top Fall 2025 Films"
- OCTOBER 2025 , BLUE HERON technical breakdown featured in INDIEWIRE
"THE MOVING IMAGE: BREAKDOWN BY MAYA BANKOVIC, CSC W/ PONCHO NAVARRO"
- YouTube link, The Moving Image, 2023
"CSC Magazine Member Spotlight"
- JULY 2022, CANADIAN CINEMATOGRAPHER MAGAZINE
"WOMEN ON SCREEN Episode 2: 'Roll On"
- Podcast essay and interview, WOMEN ON SCREEN
"CINEMATOGRAPHER LIFESTYLE"
- Podcast interview CINEMATOGRAPHER LIFESTYLE
"WOMEN BEHIND CANADIAN TV: MAYA BANKOVIC"
- Interview by Bridget Liszewski, TV JUNKIES
"5×5 With The Hook: Maya Bankovic."
- Interview, THE HOOK
"CSC INSIGHT SERIES: MAYA BANKOVIC, CSC"
- YouTube link, Canadian Society of Cinematographers, 2021
"Q&A Sessions: MAYA BANKOVIC, CSC"
- YouTube link, Canadian Society of Cinematographers, 2018
"CSC LIVE: Maya Bankovic, CSC & Matthew J. Lloyd, ASC, CSC and director Chelsea McMullan"
- YouTube link, Canadian Society of Cinematographers 2020
"Close Up: Discussion with James Laxton, ASC with Maya Bankovic for TIFF Next Wave Young Creators Lab"
- YouTube link, TIFF Talks 2017, a technical conversation geared to high school filmmakers
HONOURS & AWARDS
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2025 NOMINEE, Achievement in Cinematography, THE INVISIBLES, Canadian Screen Awards
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2023 NOMINEE, Best Cinematography, Documentary for ANGELS' ATLAS, Canadian Screen Awards
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2023 NOMINEE, Robert Brooks Award for Long Format Documentary Cinematography for ANGELS' ATLAS, Canadian Society of Cinematographers
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2022 NOMINEE, Best Cinematography in a Non-Theatrical Feature Film for I WAS LORENA BOBBITT, Canadian Society of Cinematographers
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2022 NOMINEE, Best Photography in a Drama for I WAS LORENA BOBBITT, Canadian Screen Awards
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2021 WINNER, Achievement in Cinematography for AKILLA'S ESCAPE, Canadian Screen Awards
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2020 WINNER, Best Photography in a Documentary Series for IN THE MAKING: Rebecca Belmore
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2018, 2019 and 2020 NOMINEE, Best Photography in a Drama for WORKIN' MOMS, Canadian Screen Awards
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2019 NOMINEE, Best Photography in a Documentary Series for IN THE MAKING: Crystal Pite
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2014 NOMINEE: World Cinema Documentary Cinematography for MY PRAIRIE HOME, Sundance Film Festival
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2010 WINNER: Best Cinematography in a Short Film for SLIP, Worldwide Short Film Festival
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2009 WINNER: Best Mobile Film for POTHOLES, Mobifest
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Education: Bachelor of Fine Arts Honours, cum laude - Film & Video, York University, Toronto Canada
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2010 Berlinale Talents participant
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2008 Maine Media Workshops
COMMERCIAL CLIENTS
American Express, Nike, Redfin, Tinder, Trojan, Coca-Cola, Nestlé, AAA, Pfizer, Apple, Indeed, Blue Bunny, Bubly, Miller Lite, Harvey's, McDonald's, Canada Goose, Redfin, DoorDash, Tide, IHOP, Best Buy, Scotiabank, Go Forward, Nintendo, Mercedes, more.